Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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Edgar Degas The horse in the race oil painting


The horse in the race
mk206 about 1884 Oil on canvas 57.5x65.4cm
Painting ID::  49944 		Edgar Degas
The horse in the race
mk206 about 1884 Oil on canvas 57.5x65.4cm
   
   
     
Edgar Degas In the Store oil painting


In the Store
mk206 1882-1884 Oil on canvas 67.3x67.3cm
Painting ID::  49945 		Edgar Degas
In the Store
mk206 1882-1884 Oil on canvas 67.3x67.3cm
   
   
     
Edgar Degas In the Store oil painting


In the Store
mk206 1882 Oil on canvas 75.9x84.8cm
Painting ID::  49946 		Edgar Degas
In the Store
mk206 1882 Oil on canvas 75.9x84.8cm
   
   
     
Edgar Degas amateurish caballero on horse-race ground oil painting


amateurish caballero on horse-race ground
mk206 1876-1887 Oil on canvas 66x81cm
Painting ID::  49947 		Edgar Degas
amateurish caballero on horse-race ground
mk206 1876-1887 Oil on canvas 66x81cm
   
   
     
Edgar Degas In the Store oil painting


In the Store
mk206 1882 Oil on canvas 75.6x85.7cm
Painting ID::  49948 		Edgar Degas
In the Store
mk206 1882 Oil on canvas 75.6x85.7cm
   
   
     
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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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